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Hello There, We've Been Waiting for You!

A worthy romp that manages to teach powerful lessons as it entertains.

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In this middle-grade novel, a girl coping with her mother’s death experiences a series of bizarre adventures involving a magical TV set after she moves in with her shopping-addicted grandmother.

Madison McGee, an 11-year-old tomboy with a love of the great outdoors, begins her summer mourning the sudden death of her mother from a heart attack. Madison has never known her father, and she has no guardian to turn to except her maternal grandmother, Florida Brown, a resident of the tiny town of Truth or Consequences, N.M. Florida, who cares less about her granddaughter’s tomboy interests and more about trying to pretty her up, is addicted to shopping shows on TV, filling her house with the useless, bizarre goods she orders every day. Lonely Madison finds solace in one neighbor’s sweet but neglected dog as well as an oddball woman named Rosalie Claire, who has a penchant for wise words and a fanny pack similar to Mary Poppins’ magical carpetbag. Madison’s already topsy-turvy summer gets even weirder when the MegaPix 6000 shows up at Florida’s house. This mysterious, magical television has the power to zap the viewer into whatever show he or she is currently watching, whether it be one of Florida’s shopping shows, Madison’s favorite teen sitcom or a survival-based reality show in the Amazon. Through their time in the MegaPix and in the real world, Madison and Florida end up learning a number of valuable lessons about the importance of family and accepting people’s differences, no matter how odd they might seem. Author Arnold’s debut novel, the first in a trilogy about Madison’s adventures with the MegaPix, is fun and fantastical, with wacky characters that burst off the page and into readers’ hearts. Though the plot at some points relies a bit too heavily on magic, Madison is relatable as a protagonist, which helps keep the story grounded, and its zaniness and originality should be a welcome distraction for young readers.

A worthy romp that manages to teach powerful lessons as it entertains.

Pub Date: Sept. 17, 2013

ISBN: 978-1935212515

Page Count: 176

Publisher: Prospecta Press

Review Posted Online: Dec. 11, 2013

Kirkus Reviews Issue: Feb. 15, 2014

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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